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Author Q&A ft @esart | Shrapnel In The San Fernando Valley Blog Tour | @pumpupyourbook Presents #Memoir #VBT

Shrapnel in the San Fernando Valley by  Carol Es is on virtual b log tour and stops at Readeropolis with an author interview. ...


Shrapnel in the San Fernando Valley by Carol Es is on virtual blog tour and stops at Readeropolis with an author interview.



SHRAPNEL IN THE SAN FERNANDO VALLEY by Carol Es, Memoir, 232 pp.


Title: SHRAPNEL IN THE SAN FERNANDO VALLEY
Author: Carol Es
Publisher: Desert Dog Books
Pages: 356
Genre: Memoir/Biography

BOOK BLURB:


Shrapnel in the San Fernando Valley is a guided tour through a Tilt-A-Whirl life that takes so many turns that you may find yourself looking up from the pages and wondering how the hell one person managed to fit them all into 40-odd years. And many of them are odd years indeed. From a rootless, abusive childhood and mental illness through serious and successful careers in music and art, much of which were achieved while being involved in a notoriously destructive mind-control cult. Carol Es presents her story straight up. No padding, no parachute, no dancing around the hard stuff. Through the darkness, she somehow finds a glimmer of light by looking the big bad wolf straight in the eye, and it is liberating. When you dare to deal with truth, you are free. Free to find the humor that is just underneath everything and the joy that comes with taking the bumpy ride.

Illustrated with original sketches throughout, Shrapnel in the San Fernando Valley is not just another survivor’s tale, it’s a creative perspective through moments of vulnerability where the most raw and intimate revelations are laid bare. As an artist and a woman finding self-worth, it’s truly a courageous, relatable story that will keep you engaged to the very end.

ORDER YOUR COPY:

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Too bad I’d just finished restoring my 1970, racing-green Volkswagen Karmann Ghia to its original, stock condition, because that car accident I wasn’t a little fender-bender. I was knocked unconscious, and the car was totaled. It looked like an accordion. You can’t drive an accordion. Since it wasn’t my fault, at least I got a decent settlement. But I don’t think I cared about having a big wad of money, or even mustering the wherewithal to set myself free of the shoe garden. Aric was gone and losing him made my heart ache like nothing I’d ever felt before. I was in pain every which way.
The days floated through me, and I through them; seemingly moving in slow motion, or in every other frame of a motion picture. Some other me found an apartment in Van Nuys—a two-bedroom, mid-century triplex on Tilden Avenue. I had enough money to live there without working for months, and eventually to furnish it. These are things I’d normally be happy about, but I felt nothing. Isolated, I crept about the empty apartment like a ghost, passed through Jell-O walls, west of Woodman.
While the apartment came to me on the cheap, the money would run out eventually. The place formerly belonged to Royce, the guitar player of my band at the time. He moved to the apartment underneath, and the landlord let me in on the same low rent. We rehearsed in one of the garages that came with our apartments. A sweet deal. Our bass player, Camacho, used to jam with my brother. Royce and Camacho were both special and skilled musicians, and especially original. Our band, The Column, had its own sound, southwest-funk, or a “swampy R&B.” Our music motivated me to stop drinking for a while.
When I had to start working again, I found a job at Moorpark Pharmacy in Studio City, a family-owned business. I worked behind the film counter selling greeting cards and knickknacks. The location brought regular celebrities in, and I had a little rapport with Natalie Cole, Billy Barty, and a couple others. I used to play a game with the stocking guys and guess what types of medications different customers were picking up. We’d goof around as much as possible. It wasn’t a job with much potential, but that was okay with me. I enjoyed it. I only wanted to stay away from my parents and stop working for my dad, if possible. That was difficult. He paid under the table. Always a dangling cash carrot. If I really wanted to build a life away from them, I had to work elsewhere for less money.
The pharmacy didn’t pay great. I needed to find a roommate for the other bedroom, a good match came in my drummer friend Thad. It was Thad, along with his girlfriend, Tanya, who really helped me make the difficult break from Raven, before I moved back to my parents’ house. Tanya, in particular, tried pulling me back on lines into the org. Though I had a bad taste in my mouth since the auditing I’d done with Vicky at the Advanced Org—considering how grim things were for me at the time—taking Scientology courses to improve my life was not off the table for me anymore.
Thad, my drummer brother from another mother, was a perfect fit for the Tilden Avenue place. He had to leave CC anyway; it was time for the big renovation there. Everybody out! The timing couldn’t have been better. We’d stay up and talk drums for hours. I always loved that he respected me as a musician, not simply Raven’s protégé. Tanya came over on the weekends. She was sweet, and someone to whom I could relate. The two seemed happy together. Both of them were raised in a Scientology family like many other young Scientologists that Vicky introduced me to. Once those two became more prevalent in my life, so did more Scientologists: Tanya’s group of friends and Thad’s musician friends, etc. They all seemed to have their shit together. Their families too. They seemed sane compared to my family, though anyone’s would. The desire to better oneself began to rub off on me, and there was no doubt I needed and wanted control over my life. Haunted by death and failed relationships, losing my brother to drug addiction, a job with no true future, I started gravitating back to the idea of officially practicing Scientology. Maybe it would help.
The transition began with Tanya becoming my FSM (Field Staff Member). These are Scientologists who try to get new or fallen people into the Church and onto their next service. They are akin to sponsors, only they get a 10 percent commission on everything you do in Scientology for the rest of your days. I do not believe Tanya’s purpose was financially motivated, but what do I know? She seemed to care. She came over after work nearly every day, and we used Scientology books and techniques. We mostly used the Ethics Book. Of all of them, it has the most tangible and applicable exercises. Working with her, I climbed out of a dark place and gained some self-respect. I saw that being an enemy to myself wasn’t getting me anywhere. The information in this book actually helped me, and it would later become my go-to book for solving just about every problem I had.
During the first couple of months we hung out, Tanya also brought with her the Scientology community newspaper, Needs and Wants. It mostly listed classifieds, and she encouraged me to find a better job. In fact, she sort of pointed out that I might have been contributing to the country’s drug consumption problem by working at a pharmacy, which distributes sinful psychiatric drugs. This set off alarms in my mind. Not because it sounded like her views were kooky, but because I believed that psychiatric drugs were bad. By then, I blamed psychiatry and the pharmaceutical companies for ruining my mother and taking her from my childhood. I also blamed them for the underlying cause of Mike’s drug problems, since he’d been given Ritalin as a child. I’d read in one of the Scientology magazines (Advance!, Celebrity, Freewinds, Impact, etc.) that drug addiction and having been prescribed Ritalin were related. I blamed any and all of these medications for most of the world’s evils.
Hubbard felt that people with “psych” histories were ruined beyond repair. While you train to be an auditor, you view scores of technical films, most of which are propaganda about how dangerous psychiatry is: 1950s-style reenactments of crazy, high-voltage, electroshock treatments performed on patients screaming for their lives. Time and time again I saw people over-drugged and drooling in dirty gutters, lobotomies performed with ice picks, and illustrations of inhuman practices used in the beginnings of psychiatry by uneducated “doctors” who didn’t know what they were doing. This would scare the shit out of anyone. These films make the whole psychiatric field look barbaric.
According to Hubbard, and Scientologists worldwide, psychiatrists are wicked beings who have been trying to ruin thetans for trillions of years. Most of the Scientology community are terrified of psychiatry on a very visceral level. They’re portrayed with the power of darkness equal to that of the Devil himself. I was petrified of being in a room with even a social worker, because they train in the world of psychology, which is essentially the same thing. I didn’t want to be affiliated to it in any way and definitely didn’t want to contribute to it. In my mind, I had to quit my pharmacy job immediately.
As Tanya kept bringing me different issues of Needs and Wants, I saw an ad that stood out every time I came across it. Save people’s lives! Help them recover from drugs and alcohol. These words really appealed to me. I thought, If I can’t get my own brother off drugs, maybe I can get a hundred other people off them. I wanted to feel useful and have a purpose, as I’d always felt useless. After some thought, mixed with a dash of desperation, I called the Narconon Rehabilitation Center.







 






Self-taught artist, writer and musician, Carol Es is known primarily for creating personal narratives within a wide spectrum of media. A native Los Angelina, she often uses past experience as fuel for her subject matter.  Writing on art, her articles have appeared in Huffington Post, Whitehot Magazine, and Coagula Art Journal; her prose published with small presses — Bottle of Smoke Press, Islands Fold, and Chance Press among them. Additionally, she makes handmade Artist’s books which have been acquired for such collections as the Getty and the National Museum of Women in the Arts.

Carol is a two-time recipient of the ARC Grant from the Durfee Foundation, the Pollock-Krasner, and a Wynn Newhouse Award for her art. She’s also earned grants from Asylum Arts and the National Arts and Disability Center/California Arts Council for writing. In 2019, she won the Bruce Geller Memorial Prize (WORD Grant) from the American Jewish University.

Website: www.ShrapnelInTheSanFernandoValley.com
Blog: www.esart.com/blog
Twitter: http://www.twitter.com/esart
Facebook: https://www.facebook.com/carolesart


AUTHOR INTERVIEW



1. How did you come up with the title of your book or series?


Growing up in and around the San Fernando Valley, I must’ve moved 15 times as a kid. By the age of 14, I’d already been verbally and mentally abused, sexually molested, and raped by more than two people. Call it bad luck or just being in the line of fire of assholes everywhere, to me, I was never missing a step—landmines were always exploding, ripping apart my insides, and leaving pieces of me all over Los Angeles, literally like Shrapnel. I knew the name of this book from the very start.


2. What other books are similar to your own?  What makes them alike?


That’s a hard question because I cover so much in my book like mental illness, abuse, parental issues, disability, and elder care. It’s also illustrated and humorous. It’s about my life as a professional musician and touring the US in a band, as well as the music industry. That’s not even counting being a contemporary artist and building that career—all the while I was stuck in Scientology for 20 years and it took a long road to heal from that.


Dorothy Allison’s Bastard out of Carolina: Lots of really bad shit happens centered around constant molestation and rape.


Jenna Miscavige Hill’s Beyond Belief: Her escape from Scientology.


Myla Goldberg’s Bee Season: Her sibling rivalry, pining for parental attention/complex relationships, religious curiosity and Judaic themes.


Patty Schemel’s Hit So Hard: The life a rock n’ Roll drummer on the road with a dysfunctional band.

3. Do you have any unique talents or hobbies?


I was a professional drummer for 12 years. I now have a career as a contemporary artist. I have a finger puppet collection. Gardening is nice.

4. How can we contact you or find out more about your books?


5. What can we expect from you in the future?


I will be working on a book of short stories (fiction), and will be publishing them when I feel they are up to par, so who knows when that will be.

What can readers who enjoy your book do to help make it successful?


If people could write reader reviews on Amazon, of course that would help. Word of mouth is beneficial too. Ultimately, I hope people will connect to my book in some way and, if motivated, feel less alone and maybe even make slight changes in their lives.

6. Do you have any tips for readers or advice for other writers trying to get published?


While I was in the long process of writing my book, I began keeping a blog for the last couple of years at: ShrapnelInTheSanFernandoValley.com.


Once I was finished writing it, I continued sharing what it was like to start my own indy publishing company and self-publishing my book. I blogged about that back on my regular blog at esart.com/blog. It was a trial and error experience, but I wanted to make the entire learning experience available to anyone who was interested, especially those that didn’t want to repeat the same mistakes I made.

Is there anything else you’d like to say?


Don’t let me lead by example. Be better to yourself.



http://www.pumpupyourbook.com

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